The Cathedral of Our Lady in Antwerp, Belgium, contains two examples by Rubens, and Notre Dame de Paris is another example of the use of triptych in architecture. One such cathedral with an altarpiece triptych is Llandaff Cathedral. Triptych forms also allow ease of transport.įrom the Gothic period onward, both in Europe and elsewhere, altarpieces in churches and cathedrals were often in triptych form. Renaissance painters such as Hans Memling and Hieronymus Bosch used the form. During the Byzantine period, triptychs were often used for private devotional use, along with other relics such as icons. Its geographical range was from the eastern Byzantine churches to the Celtic churches in the west. The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. The form can also be used for pendant jewelry.īeyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. It is therefore a type of polyptych, the term for all multi-panel works. Ateneum, HelsinkiĪ triptych ( / ˈ t r ɪ p t ɪ k/ TRIP-tik from the Greek adjective τρίπτυχον " tríptychon" ("three-fold"), from tri, i.e., "three" and ptysso, i.e., "to fold" or ptyx, i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. The Aino Myth, the Kalevala based triptych painted by Akseli Gallen-Kallela in 1891.
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